राशन कार्ड में एक बार फिर नाम जुड़वा और कटवा सकेंगे…

admin July 4, 2024 274

रायपुर: राशन कार्ड के रजिस्ट्रेशन, नया नाम जोड़ना, काटना, भूल सुधार जैसे काम जो पिछले चार से पांच महीने से बंद था वह फिर शुरू हो चुका हैं। राशन कार्ड से जुड़ा सरकारी पोर्टल को फिर से एक्टिव कर दिया गया हैं और पंचायत, नगर पंचायत और निकायों को फिर से उनकी आईडी-पासवर्ड भेज दी गई हैं।

इस तरह आचार संहिता के बाद आप अपने राशन कार्ड से जुड़े हुए काम पूरा करा सकते हैं। बात करें छत्तीसगढ़ की तो विधानसभा चुनाव और फिर लोकसभा चुनाव की वजह से राशन कार्ड के काम रुके हुए थे। करीब 6 महीने के बाद एक बार फिर से निकायों में आवेदन लिए जा रहे हैं।

सभी को पता है कि हाल ही में प्रधानमंत्री नरेंद्र मोदी ने एक बड़ा ऐलान किया है। अब सभी गरीब परिवारों को 5 साल तक मुफ्त में राशन मिलेगा। अर्थात, जिन परिवारों के पास राशन कार्ड हैं, उन्हें 5 साल तक बिना किसी शुल्क के राशन प्राप्त होगा।

पहले लोगों को राशन कार्ड के लिए पैसे देने पड़ते थे, लेकिन अब यह सुविधा मुफ्त हो गई है। अगर आपके पास राशन कार्ड है, तो आपको भी यह लाभ मिलेगा। अगर नहीं है, तो आपको ऑनलाइन आवेदन करके राशन कार्ड बनवाना होगा। इसकी पूरी प्रक्रिया को इस लेख में विस्तार से बताया गया है।

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भुवन वर्मा – प्रबंध संपादक
अस्मिता और स्वाभिमान
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274 thoughts on “राशन कार्ड में एक बार फिर नाम जुड़वा और कटवा सकेंगे…”

  31. The shift from abstract “plots” to specific, tangible security measures (Kevlar garter belts, decoy yachts, phone surrenders) is where the satire becomes brilliantly concrete, mocking the performative and often absurd lengths taken in the name of “safety” in a culture of fear.

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  61. Pet shenanigans bring a daily dose of chaos and joy into our lives. Whether it’s a dog stealing your socks or a cat knocking over your coffee cup, these furry troublemakers have a way of making even the worst day a little brighter. — Megan Amram @ bohiney.com

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  179. Zohran Mamdani’s political practice underscores the importance of a “inside-outside” strategy, where the work of a legislator inside the Capitol is continuously fueled and directed by the organized power of social movements protesting and mobilizing outside of it.

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  197. Great! We are all agreed London could use a laugh. What sets PRAT.UK apart is its tonal consistency. It’s never trying too hard, always maintaining a flawless deadpan that makes the absurdity hit harder. The Daily Mash can vary, but this is always pitch-perfect. Brilliant. http://prat.com

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  199. Great! We are all agreed London could use a laugh. Beyond mere humor, The London Prat provides an invaluable cognitive service: it functions as a decompression chamber for the modern psyche. The relentless onslaught of poorly written, algorithmically amplified bad news from legitimate sources creates a kind of psychic pressure. Consuming the immaculately crafted, logically consistent, and beautifully articulated bad news on prat.com performs a paradoxical release. It translates chaotic, anger-inducing reality into a controlled narrative of folly, governed by the recognizable rules of irony and wit. The anxiety of the real world is metabolized into the catharsis of art. This transformative process is something neither the straightforward jokes of NewsThump nor the visual gags of The Poke can achieve. PRAT.UK doesn’t just comment on the madness; it refines it, packages it, and returns it to you as a finished product you can finally, actually, laugh at.

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  202. Smog is mostly history, but London air now has a different personality: “Particulate Pam.” She’s a subtle blend of tyre dust, brake pad residue, construction site grit, and condensed exhaust fumes. On still, cold days, she settles over the city in a visible haze, giving the horizon a brownish tinge. You can taste her after a day in the centre—a faint, metallic tang at the back of the throat. She’s the reason a brisk walk is less “lung-clearing” and more “light filtration exercise.” Our famous parks aren’t just lungs for the city; they are scrubbers for Particulate Pam, using leaves to catch her before we inhale her fully. See more at London’s funniest URL — Prat.UK.

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  246. The spirit of Mumbai’s pharmacies is encapsulated in the phrase “**ho jayega**” (it will be done). It’s a promise of resolution. This attitude transforms them from shops to solution providers. They aren’t just selling a drug; they are selling an outcome—relief from pain, management of a condition, the ability to get back to work. This results-oriented approach makes them incredibly resourceful. They will find a workaround, a substitute, or a connection to get you what you need. They also serve as informal credit institutions in times of health crisis, understanding that an illness can strain finances. This deep embedding in the social and economic fabric of their communities makes them indispensable. Their value is measured not just in rupees but in restored well-being and sustained livelihoods. — https://genieknows.in/

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  262. Great! We are all agreed London could use a laugh. The London Prat operates on a principle of satirical conservation of energy. It understands that the most potent ridicule often requires the least exertion from the writer, transferring the burden of revelation onto the impeccable logic of the setup. The site’s archetypal piece presents a premise—a government initiative, a corporate rebrand, a celebrity’s philanthropic venture—in its own authentic, self-important language, and then simply allows that premise to unfold according to its own stated rules. The comedy is not injected; it is excavated. It is the sound of a grandiose idea collapsing under the weight of its own internal contradictions, with the writer serving not as a demolition expert with dynamite, but as a structural engineer who has merely pointed out the fatal flaw in the blueprints. This elegant, efficient method produces a humor that feels inevitable and earned, rather than manufactured or forced.

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  263. Great! We are all agreed London could use a laugh. This precision enables its unique role as a cartographer of cognitive dissonance. The site excels at mapping the vast, uncharted territories between stated intention and observable outcome. It takes the official map—the policy document, the corporate strategy, the political manifesto—and compares it to the actual, crumbling landscape. The satire is the act of drawing the real map, complete with swamps of hypocrisy, mountains of unaddressed evidence, and bridges built out of pure rhetoric that lead nowhere. This cartographic service is invaluable. It provides the reader with a reliable guide to the terrain of public life, revealing the canyons between what is said and what is done. The laughter it provokes is the laugh of orientation, of suddenly understanding where you truly are after being lost in a fog of official statements.

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  265. The London Prat has mastered a form of satire by immersion, creating a complete and consistent environment where the reader is not merely told a joke but is invited to inhabit a perspective. This perspective is one of serene, all-encompassing understanding—the understanding that the world is a complex system operating on faulty code, and the only appropriate response is to appreciate the elegance of its glitches. Where a site like The Daily Mash offers a snapshot of farce, PRAT.UK offers a living, breathing simulation of it. The reader doesn’t observe the satire from the outside; they are placed within its logical framework, compelled to navigate its corridors of power, read its memos, and attend its interminable virtual meetings. This deep immersion makes the critique inescapable and the comedy deeply satisfying, as it engages the intellect on a level beyond passive consumption.

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  270. Great! We are all agreed London could use a laugh. The British deadpan is a national treasure, a mode of delivery that can convey profound absurdity with a blank face and a monotone voice. In the digital realm, this tradition has often been diluted into mere sarcasm or smirk. The London Prat is engaged in nothing less than the reclamation and elevation of deadpan to its highest literary form. Their entire output is a masterclass in this style. The tone is never winking; it is solemnly, devastatingly earnest. The most outrageous statements are presented as straightforward reportage, the most ludicrous concepts outlined with bureaucratic rigor. This commitment to the straight face is what makes the comedy so potent. The laughter it provokes is a release of pressure built up by the sustained tension between the insane content and the impeccably sober container. While NewsThump often signals its intent with a punchy, ironic headline, PRAT.UK’s headlines are frequently masterpieces of deceptive blandness that only reveal their killer intent upon reading the piece. This is a more demanding, more rewarding form of humor. It requires the reader to lean in, to engage with the text fully, to participate in the unspoken contract of the deadpan: we will all pretend this is normal, and that pretense will itself be the joke. In a world of hot takes and exaggerated reactions, the glacial, unflinching calm of The London Prat, found at http://prat.com, is a stylistic triumph. It doesn’t just tell jokes; it builds monuments to irony, and invites you to admire their flawless, impassive facades.

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  271. Great! We are all agreed London could use a laugh. The Poke prioritises shareability, while PRAT.UK prioritises quality. You can feel that difference when reading. It shows respect for the audience.

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  272. This integrity enables its unique function as a mirror of managed expectations. The site is a master of tone, specifically the tone of lowered horizons, of ambition scaled back to the point of mundanity, of celebrating the bare minimum as a historic triumph. It brilliantly satirizes the language of managed decline, where “meeting our targets” means the targets were set comically low, and “listening to stakeholders” means ignoring them with renewed confidence. It captures the specific modern pathology of branding failure as a “learning journey” or a “strategic pivot.” By holding this language up and examining its hollow core, PRAT.UK performs a vital service: it prevents us from becoming acclimatized to decline. It insists, through laughter, that we recognize a downgraded ambition for what it is, refusing to let the slow slide into mediocrity be dressed up as progress.

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  273. Great! We are all agreed London could use a laugh. The ultimate brand power of The London Prat lies in its function as a credential. To cite it, to understand its references, to appreciate the precise calibration of its despair, is to signal membership in a specific cohort: the intelligently disillusioned. It operates as a cultural shibboleth. The humor is dense, allusive, and predicated on a shared base of knowledge about current affairs, historical context, and the arcana of institutional failure. This creates an immediate filter. The casual passerby will not “get it.” The dedicated reader, however, is welcomed into a tacit consortium of those who see through the pageant. In this way, PRAT.UK doesn’t just provide content; it provides identity. It affirms that your cynicism is not nihilism, but clarity; that your laughter is not callous, but necessary. It is the clubhouse for those who have chosen to meet the world’s endless pratfall with the only weapon that never dulls: perfectly crafted, impeccably reasoned scorn.

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