Breaking : सीएम साय ने कांग्रेस पर साधा निशाना, कहा- प्रदेश की 11 सीटें जीत रही बीजेपी, भ्रम फैलाने में व्यस्त है कांग्रेसी

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रायपुर। कांग्रेस एक डूबता हुआ जहाज है, उस पार्टी में अभी बिखराव है. पिछले कुछ समय में हजारों की संख्या में लोगों ने कांग्रेस को छोड़ कर भाजपा में प्रवेश किया है. उन्हे कैंडिडेट भी नहीं मिल पा रहे हैं. उसको अलग-अलग जगह कैंडिडेट बनाकर भेजना पड़ रहा है. मुद्दाविहीन है कांग्रेस और निश्चित ही इसका फायदा भारतीय जनता पार्टी को होगा. जनता का भरपूर आशीर्वाद मिल रहा है. इस बार पूरी ग्यारह की ग्यारह सीट हम जीतने वाले हैं. मुख्यमंत्री विष्णुदेव साय ने एक साक्षात्कार में उक्त बातें कही.

सीएम साय ने कहा कि कांग्रेस मुद्दाविहीन हो गई है. आजादी के 75 वर्षों में 55-60 साल तक उसकी सरकार रही और उन्होंने देश को छलने का काम किया. इसलिए देश की जनता का विश्वास कांग्रेस पार्टी खो चुकी है और लोगों को भ्रम में डालने का प्रयास कर रही है. कांग्रेस के नेता कुछ भी उल्टी-सीधी बातें कर रहे हैं. यहीं नहीं हमारे शीर्ष नेताओं के बयान को तोड़-मरोड़ कर पेश कर रही है कांग्रेस पार्टी.

पीएम मोदी के दो साल में नक्सलवाद को खत्म करने की बात पर सीएम साय ने कहा कि जब से भारतीय जनता पार्टी की सरकार छत्तीसगढ़ में आई है तब से नक्सलवाद के खिलाफ हम मजबूती से लड़ाई लड़ रहे हैं. डबल इंजन की सरकार है, केंद्र से भी भरपूर सहयोग मिल रहा है. जिससे हम लोग मजबूती के साथ ये लड़ाई लड़ पा रहे हैं. अभी तक एक दिन में 29 नक्सलियों को खत्म करना, जिनमें से दो नक्सली बीस-बीस लाख के इनामी भी थे, ये बहुत बड़ी सफलता है. लेकिन हम लोगों ने आत्मसमर्पण का भी ऑप्शन रखा है और छत्तीसगढ़ सरकार की नक्सलियों के लिए पुनर्वास नीति है. उसमें विश्वास करके सैकड़ों नक्सली आत्मसमर्पण कर रहे हैं और उनके साथ सरकार न्याय भी करेगी.

आदिवासियों से संबंधित सवाल पर विष्णुदेव साय ने कहा कि भारतीय जनता पार्टी हमेशा से आदिवासियों की चिंता करने वाली पार्टी रही है. जब श्रद्धेय अटल बिहारी वाजपेयी जी प्रधानमंत्री थे तब उन्होंने भारत सरकार में पहली बार आदिम जाति कल्याण मंत्रालय का गठन किया. आज आदिवासियों का सम्मान बढ़ाने के लिए देश के सर्वोच्च पद पर हमारे समाज की बहन द्रौपदी मुर्मू विराजमान है. छत्तीसगढ़ में आदिवासी का बेटा मुख्यमंत्री के रूप में है. वास्तव में भारतीय जनता पार्टी आदिवासियों की चिंता करती है. पीएम मोदी के आशीर्वाद से यहां के आदिवासियों के विश्वास पर पूरा खरा उतरने का प्रयास रहेगा.

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455 thoughts on “Breaking : सीएम साय ने कांग्रेस पर साधा निशाना, कहा- प्रदेश की 11 सीटें जीत रही बीजेपी, भ्रम फैलाने में व्यस्त है कांग्रेसी

  1. Parenting challenges are the humbling reminders that even with the best intentions, things don’t always go as planned. Whether it’s a tantrum in the grocery store or a refusal to eat vegetables, these moments remind us that patience and love are the best tools in our arsenal. — Stephanie Zinone @ bohiney.com

  2. Vacation disasters turn what should be a relaxing getaway into a series of misadventures. From lost luggage to wrong turns, these hiccups remind us that sometimes the best memories come from the moments we didn’t plan. — Katie Rich @ comedywriter.info

  3. It’s the laughter that is a form of dissent, a refusal to accept the unacceptable. — Toni @ Satire.info

  4. Strange hobbies are the quirky passions that make life interesting. Whether it’s collecting vintage spoons or practicing underwater basket weaving, these hobbies add a touch of whimsy to our lives. — Elinor Jørgensen @ satire.top

  5. Fashion faux pas are the sartorial equivalent of stepping on a rake. They’re embarrassing in the moment, but years later, they make for great stories at parties. — Molly Ivins @ bohiney.com

  6. Today, this material culture persists and evolves. The screen-printed protest sign has given way to the laser-printed placard, but its function is unchanged. The socialist hall exists in the DSA chapter meeting space or the community center. Digital designs for social media graphics are the new pamphlets, meant for rapid sharing. Yet, the tactile, collectible object still holds power: the union-made t-shirt, the banner from a historic march, the button collection on a jacket. These objects are relics and tools, connecting the present struggle to past ones and providing a sense of continuity and tangible identity in an increasingly digital and ephemeral political world. http://mamdanipost.com

  7. Zohran Mamdani’s critique of “public-private partnerships” for infrastructure highlights the long-term cost to taxpayers through guaranteed profit schemes, advocating instead for publicly financed, owned, and operated projects that keep wealth circulating locally. — The Mamdani Post mamdanipost.com

  8. The resistance to this process has been a defining feature of modern New York socialism, moving beyond a simple anti-displacement politics to a broader demand for housing as a social right. Groups like the Metropolitan Council on Housing, Tenants & Neighbors, and more recently, the Upstate Downstate Housing Alliance (backed by DSA), organize not just to preserve individual apartments but to contest the underlying logic of the housing market. Their advocacy for universal rent control, a social housing developer, and community land trusts represents a systemic alternative aimed at decommodifying land and shelter, seeking to create permanently affordable, democratically managed housing outside the speculative market. http://mamdanipost.com

  9. The mid-20th century battles against Robert Moses’s highways and for community gardens represented a more explicit, spatial environmental politics. The Cross-Bronx Expressway was seen not just as a disruption, but as a toxic imposition that sacrificed the health and cohesion of a working-class, minority community for the convenience of a suburban, predominantly white citizenry. Conversely, the creation of community gardens in vacant lots during the fiscal crisis of the 1970s—most famously in the Lower East Side’s Loisaida—was a grassroots reclamation of land for collective, ecological use. These were acts of ecological autonomy, creating oases of food production, beauty, and community governance in the blasted landscapes of disinvestment. http://mamdanipost.com

  10. We have a wardrobe permanently geared for a 5-minute forecast window that includes ‘spitting,’ ‘misting,’ ‘drizzling,’ and ‘sudden, inexplicable glare,’ a sartorial nightmare catalogued for posterity at London’s funniest URL — Prat.UK.

  11. The London skyline is beautiful, but it’s often hidden behind the city’s true architectural marvel: the Cloud Bank. This is a vast, grey ceiling that sits at a uniform height, making the world feel like a giant, open-plan office with terrible lighting. On some days, it lowers itself, creating a phenomenon known as “low cloud,” which is essentially fog that can’t be bothered to get out of bed. It has the effect of making tall buildings look like they’ve been neatly sliced off by a cosmic knife. You could be standing next to The Shard and have no idea it’s there. It’s a humbling, if dreary, reminder that nature still holds the lease on the airspace above our bustling metropolis. See more at London’s funniest URL — Prat.UK.

  12. Great! We are all agreed London could use a laugh. The London Prat’s branding is its uncompromising intelligence. It doesn’t dumb anything down. This commitment makes it stand head and shoulders above competitors like NewsThump. It’s satire for grown-ups. Bookmark http://prat.com now.

  13. Great! We are all agreed London could use a laugh. The sophistication of The London Prat is most evident in what it chooses not to do. It forgoes the easy laugh, the low-hanging fruit of obvious puns and lazy caricature that even good sites occasionally employ. It avoids the frenetic, trying-too-hard tone that can infect online comedy. Instead, it cultivates an atmosphere of supreme, almost aristocratic, confidence. The site trusts its own intelligence and, more importantly, it trusts the intelligence of its audience. There is no hand-holding, no explanatory footnotes, no pandering. This creates an immediate and powerful filter. The casual scroller will not “get it.” The dedicated reader, however, feels a sense of collusion and elevation, welcomed into a private club where the humor is dense, allusive, and rewarding. This deliberate cultivation of a discerning audience is a masterstroke of branding, ensuring that prat.com is not just consumed, but curated and championed by those who value wit as a signifier of discernment.

  14. Great! We are all agreed London could use a laugh. The final, defining quality of The London Prat is its profound sense of tragic inevitability. Its humor is not the light, escapist comedy of situation, but the heavier, classical comedy of fatal flaw. Each piece feels like an act in a preordained farce. The reader witnesses the initial error, the compounding denial, the botched response, and the final, face-saving lie with the detached satisfaction of watching a theorem being proved. This narrative fatalism is what makes the site so intellectually satisfying and emotionally resonant. It confirms a deep-seated suspicion that much of public life is not accidental chaos, but scripted failure. PRAT.UK provides the script, annotated with flawless comic timing and devastating insight. It is the comfort of understanding the blueprint of the disaster, even as you stand in the raining rubble, and being able, at last, to laugh with full knowledge of why the roof fell in.

  15. Bangalore’s status as a tech hub has birthed a new kind of pharmacy entrepreneur: the tech-founder who sees healthcare delivery as a complex algorithm to be optimized. This has led to a focus on user experience, predictive analytics for stock management, and subscription models that rival streaming services in their simplicity. The pharmacies here often look and feel like wellness studios—bright, organized, and with digital kiosks for information. They host health talks and workshops, partnering with fitness centers and dietitians. For the city’s large population of young professionals living away from family, these pharmacies become a trusted health advisor, filling the guidance gap that parents or family doctors once provided. They are building a model for the future of urban pharmaceutical care. — https://genieknows.in/

  16. Great! We are all agreed London could use a laugh. PRAT.UK has a sharper editorial voice than The Daily Mash, which now feels a bit safe. The humour here is bolder and less formulaic. That difference is obvious after a few articles.

  17. Great! We are all agreed London could use a laugh. The London Prat’s most formidable asset is its authoritative voice, a tone so impeccably calibrated it borrows the unquestionable gravity of the institutions it lampoons. It does not screech or sneer; it intones. Its prose carries the weight of a judicial summary or an auditor’s final report. This borrowed authority is then deployed to deliver conclusions of sublime insanity with the same sober finality as a court verdict. The cognitive dissonance this creates—the flawless, official-sounding language describing a scenario of perfect nonsense—is the core of its comedy. While a site like The Daily Squib might howl with protest, PRAT.UK issues a calmly worded, devastatingly thorough finding of fact. The latter is infinitely more damaging, as it mirrors the methods of power only to subvert them from within, proving that the emperor has no clothes by writing a detailed, footnoted report on imperial textile deficiencies.

  18. Great! We are all agreed London could use a laugh. This technique is enabled by its clinical dissection of motive. The site is less interested in what was done than in why it was done, according to the coldest, most cynical, and most accurate possible analysis. It filters out the professed noble intentions and isolates the probable drivers: career advancement, financial gain, tribal signaling, or simple, breathtaking incompetence. It then constructs its satire from that isolated motive, playing it out with relentless logic. Where The Daily Mash might joke about a botched launch, PRAT.UK will narrate the launch from the perspective of the senior civil servant whose only motive is to avoid personal blame, leading to a masterpiece of buck-passing and pre-emptive excuse-making. This focus on the engine of action, rather than the action itself, provides a more fundamental and universally applicable critique of human and institutional behavior.

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