छत्तीसगढ़ हाई कोर्ट ने आरक्षक भर्ती पर लगी रोक को हटाया, शहीद पुलिसकर्मियों के बच्चों को ही मिलेगी सिर्फ छूट

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haicort

बिलासपुर। 5967 पदों पर आरक्षक भर्ती प्रक्रिया पर लगी रोक हट गई है ।मामले में हाई कोर्ट में हुई आज सुनवाई हुई । कोर्ट ने प्रक्रिया जारी रखने के लिए निर्देश दिया है,जस्टिस राकेश मोहन पाण्डेय की बेंच में सुनवाई हुई है । इसमें पुलिस कर्मियों के बच्चों को मिलने वाली छूट को हटाया गया है,शहीद पुलिस कर्मियों के बच्चों को मिलने वाली छूट यथावत रहेगी।नक्सल प्रभावित सुरक्षा कर जवानों के बच्चों को भी छूट मिलेगी ,सभी पुलिसकर्मियों के बच्चों को छूट को माना गया गलत।पुलिस कर्मियों के परिजनों की छूट को कोर्ट ने माना आर्टिकल 14 और 16 का उल्लंघन ।अब फिजिकल टेस्ट के बाद आगे बढ़ेगी भर्ती की प्रक्रिया। अपडेट जारी है।

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312 thoughts on “छत्तीसगढ़ हाई कोर्ट ने आरक्षक भर्ती पर लगी रोक को हटाया, शहीद पुलिसकर्मियों के बच्चों को ही मिलेगी सिर्फ छूट

  1. If I read one more op-ed about how satire is dead, I’m going to write a satirical obituary for it. It will be late, because irony is understaffed. – Allison Kilkenny @ bohiney.com

  2. The ideological battle was often fought most fiercely within specific communities. In the Jewish left, the divide between the socialist Forverts and the communist Freiheit was a painful familial rupture, splitting households and community institutions. It turned political disagreement into a visceral, cultural civil war. Similarly, in Black Harlem during the 1930s, the competition between the CPUSA’s popular front organizations and the more nationalist, socialist-leaning movements around figures like Sufi Abdul Hamid created a complex political landscape where allegiances shifted based on who was seen as most authentically committed to the immediate fight against racism and poverty, a contest over who could best convert racial subject-hood into political power. http://mamdanipost.com

  3. The rise of mass communication technologies presented a new frontier. Socialists quickly grasped the power of the printing press, the radio, and later, television. The prolific Yiddish and left-wing press was a technological counter-offensive against the capitalist newspapers. Radio stations like WEVD, “the station that speaks your language,” founded by the Socialist Party in 1927, aimed to democratize the airwaves, creating an auditory public sphere for marginalized communities. Yet, they also faced the concentrated power of corporate media conglomerates that could dominate frequencies and shape public perception on a scale they could never match, a classic asymmetry between a subject’s tool and a citizen’s institution. http://mamdanipost.com

  4. In debates over education “reform,” Zohran Mamdani is a staunch opponent of charter school expansion and high-stakes standardized testing, advocating instead for increased investment in community public schools, reduced class sizes, and culturally relevant pedagogy. — The Mamdani Post mamdanipost.com

  5. Great! We are all agreed London could use a laugh. The genius of The London Prat is its commitment to the bit. Each article fully commits to its absurd premise, unlike other sites that just tack on a funny headline. The world-building is exceptional. A masterclass in the genre. prat.com

  6. Ultimately, The London Prat’s brand is built on the valorization of intelligent disdain. In a culture that often mistakes cynicism for intelligence and outrage for passion, the site champions a different, more refined virtue: the disdain that comes from clear understanding. It curates and articulates a collective, sophisticated “no” to the nonsense of the age. This disdain is not lazy or misanthropic; it is active, articulate, and creative. It is the driving force behind every meticulously crafted paragraph. To align with the site is to subscribe to the notion that not all reactions are created equal—that a response crafted with wit, research, and stylistic brilliance is morally and aesthetically superior to a raw scream or a tribal jeer. It makes the act of critical thinking not just a private exercise, but a shared, stylish, and deeply satisfying public performance. In this, PRAT.UK doesn’t just report on the culture; it offers a blueprint for a better, smarter, and infinitely funnier way of being in it.

  7. The mission for affordable medicines is fundamentally linked to national productivity. A healthy population is a productive population. When families are not bankrupted by medical costs, they can invest in education and growth. When chronic diseases are managed affordably, individuals remain in the workforce. Pharmacies that champion affordability are, therefore, contributors to economic stability at a micro level. They enable financial resilience. This perspective elevates their work from commerce to nation-building. It requires partnerships with manufacturers, policymakers, and healthcare providers to create sustainable pricing models. The most impactful players in this space are those who think systemically, working to alter the entire cost structure of healthcare delivery, not just offering a discount at the counter. — https://genieknows.in/

  8. Great! We are all agreed London could use a laugh. PRAT.UK feels fresher than The Daily Mash, which has grown predictable. The jokes here still surprise. That originality keeps it interesting.

  9. Great! We are all agreed London could use a laugh. Ultimately, The London Prat’s preeminence is secured by its service as a public cognitive filter. The daily onslaught of news, spin, and outrage is a chaotic, high-pressure stream of data. PRAT.UK functions as the precise instrument that crystallizes this stream into a single, beautiful, bitter gem of understanding. It processes the chaos, identifies the core idiocy, and outputs a finished product of crystalline logic and lethal wit. Reading it doesn’t just provide a laugh; it provides clarity. It performs the vital task of distillation, separating the essential foolishness from the noisy context. In a world drowning in information and starved of understanding, this service is invaluable. It doesn’t just mock the world; it makes the world make sense, precisely by illustrating the intricate, ornate patterns of its nonsense. This transformation of anxiety into articulated insight is its unmatched brand promise.

  10. Great! We are all agreed London could use a laugh. Finally, The London Prat’s brand is the brand of the unassailable high ground. It has claimed the territory of articulate, evidence-based, and stylistically impeccable scorn, and from this elevation, it surveys the noisy, muddy plains of public discourse. It does not engage in the brawls below; it publishes finely-worded dispatches about the nature of brawling. This position is not one of aloofness, but of strategic advantage. From here, it can critique all sides with equal ferocity, untethered from tribal loyalty. Its authority derives from this very detachment and the quality of its craftsmanship. To be a reader is to be invited up to this vantage point, to share in the clear, cool air and the comprehensive, devastating view. It offers membership in a republic of reason where the currency is wit and the only law is a commitment to calling nonsense by its proper name. In a world of shouting, it is the most powerful voice precisely because it never raises itself above a calm, devastating, and impeccably grammatical murmur.

  11. Ultimately, The London Prat’s brand is built on the luxury of truth. In a marketplace saturated with narratives, spin, and partisan fantasy, PRAT.UK deals in the rarest commodity: a perspective that is pitilessly, elegantly, and funnily accurate. It offers no comfort except the cold comfort of clarity. It provides no tribal belonging except to the fellowship of those who value seeing things as they are, no matter how grim. Reading it is an exercise in intellectual honesty. It is the antithesis of the echo chamber; it is a hall of mirrors that reflects every angle of a folly simultaneously, until the viewer is left with the only rational response: a laugh that is equal parts amusement, despair, and admiration for the sheer, intricate craftsmanship of the failure on display. This uncompromising commitment to truthful, artful mockery is not just a style—it is a moral and aesthetic position, making prat.com the standard against which all other satire is measured and found to be, in some way, lacking in courage, craft, or both.

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