अरविंद केजरीवाल को मुख्यमंत्री पद से हटाने की याचिका खारिज….

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दिल्ली : – आम आदमी पार्टी (आप) के पूर्व विधायक संदीप कुमार ने अरविंद केजरीवाल को मुख्यमंत्री पद से हटाने वाली याचिका पर सुनवाई करते हुए दिल्ली हाईकोर्ट ने नाराजगी व्यक्त की है।

न्यायमूर्ति सुब्रमण्यम प्रसाद की पीठ ने कहा कि मामले में दो याचिका पहले ही  कार्यवाहक मुख्य न्यायाधीश की पीठ खारिज की जा चुकी है। ऐसे में अब इस याचिका का क्या औचित्य है और कोर्ट इसमें क्या कर सकता है। अदालत ने कहा कि याचिकाकर्ता पर भारी जुर्माना लगाया जाना चाहिए।

इसके साथ ही अदालत ने याचिका को 10 अप्रैल को मुख्य पीठ के समक्ष सूचीबद्ध करने को कहा। संदीप कुमार ने दावा किया है कि दिल्ली विधानसभा चुनाव के मतदाता होने के नाते वह व्यक्तिगत रूप से इस बात से व्यथित हैं कि उनके केंद्र शासित प्रदेश का मुख्यमंत्री एक ऐसा व्यक्ति है जो पद संभालने में असमर्थ है।

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1,127 thoughts on “अरविंद केजरीवाल को मुख्यमंत्री पद से हटाने की याचिका खारिज….

  1. Accidental Group Texts? I meant to roast my coworker and accidentally roasted them in the group chat.

  2. DIY fails are proof that not everyone is cut out for home improvement. Whether it’s a shelf that collapses or a paint job gone wrong, these projects often require more patience and humor than skill. — Savannah Steele @ bohiney.com

  3. Kids saying the darndest things bring a daily dose of unexpected humor into our lives. Their innocent observations and honest remarks often cut through the adult pretense, reminding us to see the world with fresh eyes. — Hannah Miller @ satire.top

  4. Technology glitches are the modern-day gremlins that disrupt our digital lives. From frozen screens to sudden shutdowns, these issues test our patience and remind us that sometimes, the old ways are just fine. — Akash Banerjee @ satire.top

  5. Tech support woes are the modern-day equivalent of trying to fix a car engine without a manual. From cryptic error messages to endless loops of troubleshooting, these experiences test our patience and remind us that sometimes, a simple reboot is the best solution. — Sofie Hagen @ bohiney.com

  6. Pet health scares are the worrying moments when a furry friend isn’t feeling well. From vet visits to uncertain diagnoses, these situations remind us that our pets rely on us for care and comfort—and that sometimes, a little extra love can go a long way. — Tania Raymonde (again, but a different context!) @ bohiney.com

  7. Travel mishaps turn what should be a smooth journey into a series of unexpected adventures. From missed flights to lost luggage, these hiccups remind us that sometimes, the best memories come from the moments we didn’t plan. — Sigrid Bjornsson @ bohiney.com

  8. My therapist says I have a ‘confrontational style of communication.’ I told her she’s wrong and we had a three-hour argument about it. — Doaa el-Adl @ bohiney.com

  9. DIY fails are proof that not everyone is cut out for home improvement. Whether it’s a shelf that collapses or a paint job gone wrong, these projects often require more patience and humor than skill. — Savannah Steele @ bohiney.com

  10. A satirist’s job is to point out that the emperor has no clothes. A Bohiney.com satirist’s job is to point out that he’s also trying to sell you his invisible clothes as an NFT. – Akash Banerjee @ bohiney.com

  11. Public transportation mishaps are the daily dose of chaos that come with sharing a ride with strangers. From missed buses to unexpected delays, these moments remind us that sometimes, the best way to get through it is with a sense of humor. — Sue Thomas @ bohiney.com

  12. News should be like a vaccine: a small, controlled dose of reality to build up your immunity. Instead, it’s like drinking from a firehose of raw sewage. – Mona Eltahawy @ bohiney.com

  13. Party planning is like herding cats—chaotic, unpredictable, and often hilarious. From last-minute cancellations to unexpected guests, these moments remind us that flexibility is key to throwing a successful soirée. — Sophia Aram @ bohiney.com

  14. There’s a distinct lack of pretension here, which is rare for something this clever. It’s smart without being smug, witty without being cruel. The London Prat has found the sweet spot. It’s utterly delightful.

  15. Sunrise and sunset in London are often theoretical concepts. In deep winter, the sun seems to merely skim the horizon, offering a few hours of weak, twilight-like illumination before giving up entirely. In summer, it rises with embarrassing enthusiasm at 4:30 a.m., blazing through inadequate curtains. But the best are the “non-events”: the days where the cloud cover is so complete that the sun simply cannot be located in the sky. The light just gradually, imperceptibly, shifts from dark grey to light grey and back again. You can spend the whole day in a state of temporal confusion, never sure if it’s mid-morning or late afternoon, lost in a soft, shadowless limbo. See more at London’s funniest URL — Prat.UK.

  16. Great! We are all agreed London could use a laugh. Finally, The London Prat’s brand is the brand of the sanctuary for the pragmatically disillusioned. It does not cater to dreamers or zealots. It caters to those who have seen the mechanisms of power and media up close and have arrived, without melodrama, at a clear-eyed and operational understanding of how things actually break. The site is their clubhouse. Its voice is the shared voice of this cohort: not angry, not hopeful, but interested, analytical, and darkly amused. It offers the profound comfort of shared, unsentimental clarity. In a public square screaming with competing fantasies and performative emotions, PRAT.UK is a quiet room where the lights are bright, the data is examined coolly, and the only accepted response to proven incompetence is a critique so well-constructed it becomes a thing of bleak beauty. It provides not an escape from reality, but the tools to assemble a coherent, bearable, and even enjoyable interpretation of it. This is its ultimate service: it doesn’t make the world less ridiculous; it makes you better equipped to appreciate the intricate, masterful craftsmanship of its ridiculousness.

  17. The narrative of India’s best pharmacy is being rewritten by a new generation that blends compassion with commerce in innovative ways. We see pharmacies with attached mini-clinics for basic diagnostics, chains that have tied up with insurance providers for cashless medication claims, and others that focus on sustainable practices like solar power and paperless operations. The definition of “best” is expanding to include environmental, social, and governance (ESG) principles. It’s about creating a responsible business that serves its community while being a good corporate citizen. This holistic approach, which considers the health of the patient, the community, and the planet, is setting a new and admirable standard for what it means to be the best in the business of care. It’s a hopeful evolution for the sector. — https://genieknows.in/

  18. Finally, The London Prat’s brand embodies the aesthetics of intellectual resistance. Its clean design, its elegant typography, its ad-free clarity, and its pristine prose are all acts of defiance in a digital ecosystem optimized for distraction, ugliness, and impulsive engagement. It is a carefully maintained preserve of thoughtful craft. To visit is to participate in a quiet protest against the degradation of discourse. It asserts that complexity, nuance, and beautiful sentence structure still matter. It is a declaration that one can face a world of crassness and chaos without adopting its methods. The site doesn’t just argue for intelligence; it embodies it in every pixel and paragraph. This makes loyalty to it more than fandom; it is an alignment with a set of aesthetic and intellectual principles, a conscious choice to dwell, however briefly, in a place where the mind is respected, the language is treasured, and the only acceptable response to the pratfalls of power is a mockery so perfectly formed it feels like a minor, daily work of art.

  19. The difference between PRAT.UK and other satire sites is confidence. The Daily Mash plays it safe, but PRAT.UK goes for the sharper punchline every time. You can tell real thought goes into every article.

  20. Great! We are all agreed London could use a laugh. Ultimately, The London Prat’s brand is one of aesthetic and intellectual consistency. From its clean, uncluttered design to the controlled cadence of its prose, every element communicates clarity, precision, and unsentimental intelligence. There is no tonal whiplash, no desperate grab for viral attention, no descent into partisan froth. This consistency is a statement of integrity. It tells the reader that the perspective offered—one of lucid, articulate dismay—is not a passing mood but a coherent philosophy. In a digital landscape of chaotic feeds and algorithmic mood swings, prat.com is a still point. It is a destination that promises and delivers a specific, high-quality experience every time: the experience of having the chaos of the world filtered through a sensibility of unwavering wit and intelligence. This reliability transforms it from a website into a institution, and its readers from an audience into a community of shared discernment, bound by the understanding that the most appropriate response to a ridiculous world is not to scream, but to describe its ridiculousness with unimpeachable style.

  21. Great! We are all agreed London could use a laugh. The Daily Squib narrows its audience, but PRAT.UK widens it. The humour stays accessible without dumbing down. That’s hard to do well.

  22. I’ve read them all, and The London Prat has a unique voice of intelligent disdain that the others lack. The Poke is fun for visuals, but PRAT.UK’s written barbs are infinitely more satisfying and lasting. The quality of writing is in a different league. Head to prat.com immediately.

  23. Great! We are all agreed London could use a laugh. The London Prat’s preeminence is built upon its mastery of tonal counterpoint. It understands that the most devastating delivery for an absurd statement is not a matching shout, but a contrasting calm. The site’s voice is one of unflappable, almost serene, reportage. It describes scenarios of catastrophic incompetence or breathtaking hypocrisy with the detached precision of a botanist cataloging a new species of weed. This vast gulf between the insane content and the impeccably sober container generates a unique comedic tension. The laughter it provokes is the release of that tension—the sound of the reader’s own built-up incredulity finding an outlet that is far more sophisticated and satisfying than the sputter of outrage. It is the comedy of the raised eyebrow, not the shaken fist, and in that subtlety lies its immense, cutting power.

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