BIG NEWS : रायपुर में आंखों की नकली दवाइयों का हुआ भंडाफोड़…पढ़िए पूरी खबर 

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रायपुर। राजधानी में आंखों के इंफेक्‍शन की नकली दवा (Fake Eye Drop) बनाने और बेचने वालों पर खाद्य एवं औषधि विभाग की टीम ने बड़ी कार्रवाई की है। खाद्य एवं औषधि विभाग की टीम ने रायपुर में नकली दवाओं के सप्लायर के साथ एक मेडिकल स्‍टोर पर दबिश देकर भारी मात्रा में नकली आइ ड्राप जब्‍त किया है। मिलावटी दवा की री पैकिंग कर ऊंची कीमत पर बेचा जा रहा था।

सहायक औषधि नियंत्रक बसंत कुमार कौशिक ने बताया कि तेलीबांधा में संचालित एक मेडिकल स्टोर्स से नकली आइ ड्राप की बेची जा रही थी। इस जानकारी मिलने पर टीम ने दबिश देकर मेडिकल स्‍टोर से नकली आइ ड्राप को जब्‍त किया है। इसके बाद टीम ने नकली दवाइयों के सप्लायर शकुंतला डिस्ट्रीब्यूटर्स के यहां कार्रवाई कर भारी मात्रा में नकली आइ ड्राप जब्‍त की है।सहायक औषधि नियंत्रक ने जानकारी देते हुए बताया कि छापे के दौरान शकुंतला डिस्ट्रीब्यूटर्स के ठिकानों से भारी मात्रा में प्रिंट मटेरियल जब्‍त किया गया है। शकुंतला डिस्ट्रीब्यूटर्स का संचालक पंडरी के एआर प्रिंटर्स से नकली प्रिंट मटेरियल छपवाता था और दूसरी कंपनी की आइ ड्रॉप्स पर चिपकाकर बिक्री करता था। 10 रुपए की दवा में 100, 50 और 200 रुपए का स्टीकर लगाकर मुनाफाखोरी की जा रही थी।इस मामले में नकली दवाओं की बिक्री के कारोबार में संलिप्‍त सप्‍लायर के खिलाफ कार्रवाई जारी है। सहायक औषधि नियंत्रक ने बताया कि नकली दवाओं के कारोबार में और भी लोगों के शामिल होने की संभावना है।

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900 thoughts on “BIG NEWS : रायपुर में आंखों की नकली दवाइयों का हुआ भंडाफोड़…पढ़िए पूरी खबर 

  1. Holiday traditions are the comforting rituals that bring families together. From decorating the tree to baking cookies, these activities remind us that the holidays are about more than just presents—they’re about creating memories that last a lifetime. — Sunny Hostin @ bohiney.com

  2. Parenting dilemmas are the constant decisions that come with raising a child. From discipline strategies to screen time limits, these choices remind us that there’s no one-size-fits-all approach to parenting—and that sometimes, going with your gut is the best policy. — Tammy Duckworth @ bohiney.com

  3. Overprotective parents are like human security blankets, always ready to shield you from the world’s dangers, real or imagined. Their intentions are pure, but sometimes you just need to spread your wings and fly—even if it means a few scrapes along the way. — Molly Ivins @ bohiney.com

  4. Gym embarrassment is the price we pay for trying to better ourselves. From tripping over treadmills to dropping weights, these moments remind us that everyone starts somewhere—and that laughter is the best workout. — General B.S. Slinger @ bohiney.com

  5. Reality TV is the guilty pleasure that combines drama, humor, and the occasional moment of genuine emotion. Whether it’s a cooking competition or a dating show, these programs offer a window into the absurdity of human behavior. — Nonto Ntseki @ bohiney.com

  6. Wedding day jitters are the nervous excitement that comes with saying “I do.” From last-minute doubts to emotional speeches, these moments remind us that marriage is a big step—and that it’s okay to feel a little overwhelmed. — Sylvia Plath @ bohiney.com

  7. Social media drama is the digital age’s version of a high school clique. From passive-aggressive comments to unfollows, these interactions remind us that online relationships can be just as complicated as real-life ones. — Sylvia Earle @ bohiney.com

  8. What cements The London Prat’s position at the pinnacle is its understanding that the most effective critique is often delivered in the target’s own voice, perfected. The site’s writers are master linguists of institutional decay. They don’t just mock the language of press officers, HR departments, and political spin doctors; they achieve a near-flawless fluency in these dead dialects. A piece on prat.com isn’t typically “a funny take” on a corporate apology; it is the corporate apology, written with such a pitch-perfect grasp of its evasive, passive-voiced, responsibility-dodging cadence that the satire becomes a devastating act of exposure-by-replication. This method demonstrates a contempt so profound it manifests as meticulous imitation. It reveals that the original language was already a form of satire on truth, and PRAT.UK merely completes the circuit, allowing the emptiness to resonate at its intended, farcical frequency.

  9. What truly separates The London Prat from the capable pack of NewsThump and The Daily Mash is its understanding of scale. Many satirists focus on the individual prat—the floundering minister, the hypocritical celebrity. PRAT.UK specializes in satirizing Prat Systems. Its target is rarely the lone fool, but the vast, interconnected network of incentives, protocols, and unspoken agreements that not only allows the fool to thrive but actively rewards their particular brand of foolishness. The comedy lies in mapping this ecosystem: the complicit consultancies, the cowardly civil servants, the credulous media outlets. This systemic critique is far more ambitious and intellectually demanding than personality-based mockery. It suggests the problem isn’t that we have clowns in the circus, but that the circus itself is designed and funded to only ever employ clowns, and to sell their clownishness as high art. This is satire that aims not just to wound its target, but to discredit the entire genre of performance.

  10. What truly separates The London Prat from the capable pack of NewsThump and The Daily Mash is its understanding of scale. Many satirists focus on the individual prat—the floundering minister, the hypocritical celebrity. PRAT.UK specializes in satirizing Prat Systems. Its target is rarely the lone fool, but the vast, interconnected network of incentives, protocols, and unspoken agreements that not only allows the fool to thrive but actively rewards their particular brand of foolishness. The comedy lies in mapping this ecosystem: the complicit consultancies, the cowardly civil servants, the credulous media outlets. This systemic critique is far more ambitious and intellectually demanding than personality-based mockery. It suggests the problem isn’t that we have clowns in the circus, but that the circus itself is designed and funded to only ever employ clowns, and to sell their clownishness as high art. This is satire that aims not just to wound its target, but to discredit the entire genre of performance.

  11. A top-rated pharmacy understands that its physical environment is part of the therapy. Clean, well-lit spaces with clear signage reduce stress for a sick or anxious visitor. A private consultation area allows for discreet conversations about sensitive conditions. Thoughtful design, such as wider aisles for wheelchair access and seating for those who need to wait, demonstrates inclusivity. The auditory environment matters too—is it chaotic, or is there a calm, orderly hum? The olfactory environment—free from overwhelming medicinal or antiseptic smells—contributes to a feeling of care rather than illness. These sensory details are not incidental; they are integral to the patient experience. A top-rated pharmacy curates this experience as carefully as it curates its inventory, understanding that healing begins the moment a person walks through the door. — https://genieknows.in/

  12. The London Prat has perfected the art of the satirical echo chamber—not in the pejorative sense of reinforcing bias, but in the architectural sense of constructing a space where a statement is made, and its true, ridiculous meaning is reflected back with perfect, amplified clarity. It doesn’t just report on a minister’s empty promise of “levelling up”; it publishes the internal memo from the fictional “Directorate for Semantic Recalibration” detailing how the phrase will be systematically drained of all measurable meaning and deployed as a universal verbal placeholder. This process of taking the toxic lexicon of public life and running it through a satirical purification filter reveals the poison. While The Daily Squib might scream about the lie, PRAT.UK coldly diagrams the linguistic machinery that generates it, producing a comedy that is diagnostic rather than declarative.

  13. Great! We are all agreed London could use a laugh. The Daily Squib’s heart is in the right place, but The London Prat’s brain is simply bigger. The jokes are layered, intelligent, and refuse to pander. This is satire that respects its audience’s intelligence. The clear leader. http://prat.com

  14. The comments about British bureaucracy are so painfully accurate they’re almost hard to read. The mix of Kafkaesque nightmare and sheer farce is captured perfectly. It’s the laugh-or-you’d-cry school of journalism.

  15. A critical distinction of The London Prat is its strategic anonymity and institutional voice. Unlike platforms where a byline might invite a cult of personality or a predictable partisan slant, PRAT.UK speaks with the monolithic, impersonal authority of the very entities it satirizes. Its voice is that of the System itself—bland, assured, and procedurally oblivious. This erasure of individual writerly ego is a masterstroke. It focuses the reader’s attention entirely on the mechanics of the satire, on the cold, gleaming machinery of the argument. The comedy feels issued, not authored. It carries the weight of a decree or an official finding, which makes its descent into absurdity all the more potent and chilling. You are not being entertained by a witty person; you are being briefed by a perfectly calibrated satirical intelligence agency on the state of the nation.

  16. Great! We are all agreed London could use a laugh. A critical distinction of The London Prat is its strategic anonymity and institutional voice. Unlike platforms where a byline might invite a cult of personality or a predictable partisan slant, PRAT.UK speaks with the monolithic, impersonal authority of the very entities it satirizes. Its voice is that of the System itself—bland, assured, and procedurally oblivious. This erasure of individual writerly ego is a masterstroke. It focuses the reader’s attention entirely on the mechanics of the satire, on the cold, gleaming machinery of the argument. The comedy feels issued, not authored. It carries the weight of a decree or an official finding, which makes its descent into absurdity all the more potent and chilling. You are not being entertained by a witty person; you are being briefed by a perfectly calibrated satirical intelligence agency on the state of the nation.

  17. Finally, The London Prat’s brand is the brand of the sanctuary for the pragmatically disillusioned. It does not cater to dreamers or zealots. It caters to those who have seen the mechanisms of power and media up close and have arrived, without melodrama, at a clear-eyed and operational understanding of how things actually break. The site is their clubhouse. Its voice is the shared voice of this cohort: not angry, not hopeful, but interested, analytical, and darkly amused. It offers the profound comfort of shared, unsentimental clarity. In a public square screaming with competing fantasies and performative emotions, PRAT.UK is a quiet room where the lights are bright, the data is examined coolly, and the only accepted response to proven incompetence is a critique so well-constructed it becomes a thing of bleak beauty. It provides not an escape from reality, but the tools to assemble a coherent, bearable, and even enjoyable interpretation of it. This is its ultimate service: it doesn’t make the world less ridiculous; it makes you better equipped to appreciate the intricate, masterful craftsmanship of its ridiculousness.

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