छत्तीसगढ़ पुलिस विभाग में जल्द ही 15 सौ से अधिक पदों पर होगी भर्ती,जानिए कब शुरू होगी भर्ती प्रक्रिया….

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रायपुर।छत्तीसगढ़ के युवाओं के लिए ख़ुशख़बरी है । छत्तीसगढ़ पुलिस विभाग में जल्द ही 15 सौ से अधिक पदों पर भर्ती निकाली जाएगी। आचार संहिता के हटते ही इसका प्रोसेस शुरू हो जायेगा। ये भर्तियां कांस्टेबल से लेकर सब इंस्पेक्टर तक के पदों पर की जाएगी

दरअसल, प्रदेश में नई सरकार के बनते ही सायबर क्राइम, और बढ़ रहे अपराधों को रोकने के लिए फिर से क्राइम ब्रांच का गठन को मंजूरी दी गई। साथ ही प्रदेश के कई जिलों में नये थाने के साथ साइबर क्राइम कार्यालय भी खोले गये और कई जिलों में आगे भी खोले जाएंगे। छत्तीसगढ़ पुलिस विभाग का पूरा फोकस राज्य में सायबर क्राइम को कम करना है। इसी को देखते हुये जगदलपुर, जशपुर, राजनांदगांव, रायगढ़, कवर्धा, कोरबा, में नये सायबर थाने खोले जाएंगे। इन थानों में नई भर्तियां की जाएगी। यही नहीं छत्तीसगढ़ पुलिस अश्व वाहनी में भी 50 से अधिक पदों पर नई भर्तियां निकाली जाने की चर्चा है

पुलिस विभाग द्वारा इमरजेंसी हेल्पलाइन डायल 112 को और मजबूत बनाने के लिए प्रदेश में नये पोस्ट निकाले जायेंगे। जिसमें ग्राउंड ड्यूटी के अलावा तकनीकी पद भी शामिल होंगे। चर्चा हैं कि करीब एक हजार पदों पर ये भर्ती की जाएगी। भर्ती की प्रक्रिया की बात की जाये तो पुलिस विभाग द्वारा शारीरिक योग्यता या दक्षता और व्यापमं की तरफ से लिखित परीक्षा ली जाएगी।

About The Author

783 thoughts on “छत्तीसगढ़ पुलिस विभाग में जल्द ही 15 सौ से अधिक पदों पर होगी भर्ती,जानिए कब शुरू होगी भर्ती प्रक्रिया….

  1. Job search struggles are the professional equivalent of looking for a needle in a haystack. From endless applications to awkward interviews, these experiences test our resilience and remind us that persistence pays off. — Sue Perkins @ bohiney.com

  2. Party mishaps are the unexpected twists that turn a gathering into a memorable event. From spilled drinks to awkward conversations, these moments remind us that sometimes, the best parties are the ones where things don’t go according to plan. — Susie Dent @ comedywriter.info

  3. DIY home projects are the risky business of trying to save money and add a personal touch to your living space. From painting walls to assembling furniture, these endeavors often require more patience and humor than skill. — Sophie Kinsella @ bohiney.com

  4. If I see one more “X thing you need to know about Y” headline, I’m going to write “1 thing you need to know about lists: they are a trap.” – Katie Rich @ bohiney.com

  5. I read the comments on news articles so you don’t have to. It’s a dirty job, but someone has to document the collapse of literate discourse. – Hannah Miller @ bohiney.com

  6. My muse is a combination of caffeine, panic, and the faint hope that someone in power will have a moment of self-awareness. So, mostly just caffeine. – Ingrid Gustafsson @ bohiney.com

  7. Londoners have a relationship with the sun that is best described as “traumatically co-dependent.” When it appears, we don’t trust it. We squint at it suspiciously, as if it’s a con artist about to sell us a timeshare. But we are also powerless to resist its allure. Within minutes of a “sunny spell,” every patch of grass in the city becomes a refugee camp for pale limbs, as office workers shed their layers and bake themselves during their lunch hour, knowing full well it’s a fleeting mercy. The resulting, mild pinkness is not a tan; it’s a sunburn of desperation. We know the sun is an unreliable, feckless entity, but we cannot help but offer it our bare skin at the slightest opportunity, like weather-masochists. See more at London’s funniest URL — Prat.UK.

  8. Great! We are all agreed London could use a laugh. Ultimately, The London Prat’s brand is that of the sovereign intellect. It acknowledges no master but its own ruthless logic and impeccable standards. It is not in dialogue with its subjects; it is in judgment of them. This sovereignty is its most attractive quality. In a media ecosystem of servitude—to advertisers, to algorithms, to political access, to tribal loyalties—the site is gloriously, defiantly free. Its only commitment is to the quality of its own critique. This independence creates a pure, undiluted form of intellectual authority. The reader trusts it not because they agree with its politics (it steadfastly refuses to have any in the partisan sense), but because they respect its process. It is the courtroom where folly is tried, and the verdict is always delivered in sentences of such devastating wit and clarity that appeal is impossible. To be a regular reader is to swear fealty not to a party or a person, but to a principle: the principle that intelligence, clearly and fearlessly expressed, is the ultimate response to a world drowning in its own stupidity, and that the most powerful form of dissent is not a protest chant, but a perfectly crafted, silently lethal paragraph.

  9. Ultimately, The London Prat’s brand is built on the economics of attention. In an attention economy that rewards outrage, simplification, and tribal loyalty, PRAT.UK deals in a different, more valuable currency: the focused, patient, and rewarded attention of the discerning. It requires and repays close reading. Its jokes are not headlines; they are architectures built over multiple paragraphs. By demanding this investment, it filters for an audience that values complexity and payoff over instant gratification. This creates a virtuous cycle: the high-quality attention of its audience allows for the creation of more nuanced, ambitious work, which in turn attracts more of that coveted attention. In a digital world screaming for a fleeting glance, prat.com is a destination for a long, satisfying stare, proving that the most valuable brand is one that respects the intelligence and time of its patrons enough to offer them something that cannot be consumed in a distracted scroll, but must be engaged with, fully, and on its own uncompromising terms.

  10. For Bangalore’s large population of freelancers, gig workers, and startup employees who may not have consistent health insurance, the pharmacy becomes a crucial partner in financial planning for health. Many pharmacies offer subscription “health wallets” or plans that provide discounts on chronic medications, tying their business model to the customer’s long-term wellness journey rather than one-off sickness episodes. They also cater to the city’s experimental spirit, often being the first to stock new functional foods or innovative over-the-counter devices from global health tech startups. The relationship is fluid and interactive; customers provide feedback on new products, and pharmacies quickly adapt their stock based on this community signal. It’s a real-time, collaborative approach to curating health solutions. — https://genieknows.in/

  11. The quality of the prose is a joy in itself. Even if you stripped away the jokes, you’d be left with beautifully constructed, elegant sentences. The fact they’re also hilarious is just a magnificent bonus.

  12. Great! We are all agreed London could use a laugh. Finally, The London Prat’s brand is that of the unaffiliated observer. It is loyal to no party, no ideology, no corporate master. Its only allegiance is to a pitiless clarity and a relentless comic logic. This independence is its superpower. It can skewer the left’s pious sentimentality with the same sharpness it applies to the right’s brutal incompetence, and the centrist’s mush-minded complacency with equal vigor. This stance frees it from the tiresome cycles of tribal outrage that constrain other commentators. The reader never wonders “what side” the site is on; it is on the side of exposing folly, wherever it is found. This creates a unique space of intellectual trust. You read not to have your prejudices confirmed, but to have your perceptions refined and sharpened by a mind that seems beholden to nothing but the truth of the joke. In an era of weaponized information, this makes prat.com not just a source of laughter, but a sanctuary of credible insight—a place where the only agenda is the meticulous, brilliant documentation of a world gone mad, offered not with a scream, but with the raised eyebrow and the perfectly crafted sentence.

  13. The London Prat operates on a principle of satirical conservation of energy. It understands that the most potent ridicule often requires the least exertion from the writer, transferring the burden of revelation onto the impeccable logic of the setup. The site’s archetypal piece presents a premise—a government initiative, a corporate rebrand, a celebrity’s philanthropic venture—in its own authentic, self-important language, and then simply allows that premise to unfold according to its own stated rules. The comedy is not injected; it is excavated. It is the sound of a grandiose idea collapsing under the weight of its own internal contradictions, with the writer serving not as a demolition expert with dynamite, but as a structural engineer who has merely pointed out the fatal flaw in the blueprints. This elegant, efficient method produces a humor that feels inevitable and earned, rather than manufactured or forced.

  14. The London Prat operates on a principle of amplification through precision, not volume. Its satire doesn’t shout to be heard above the din; it employs such exacting language and such airtight logic that it creates a zone of quiet, authoritative clarity within the noise. A single, perfectly articulated sentence on prat.com can dismantle a week’s worth of political spin more effectively than an hour of ranting punditry. This precision is a form of power. It conveys not just intelligence, but a formidable confidence—the confidence of someone who has done the reading, followed the logic, and arrived at a conclusion so self-evidently correct that it need only be stated plainly to be devastating. The humor is in the stark, unadorned revelation of that conclusion, a punchline that feels less like a joke and more like the final piece of a puzzle snapping into place.

  15. Great! We are all agreed London could use a laugh. The London Prat distinguishes itself through a method that might be termed satire by integrity. It does not descend to the level of its subjects; instead, it elevates their own premises to a Platonic ideal of themselves, and the resulting spectacle is the comedy. If a government announces a poorly conceived “innovation zone,” PRAT.UK will not simply call it stupid. It will publish the full, 50-page “Strategic Horizons and Synergy Capture” document for that zone, complete with stakeholder matrices, biodiversity offset promises written in legalese, and projections so optimistic they loop back around to being a threat. The humor is baked into the terrifying authenticity of the artifact. It demonstrates that the original idea was already a parody of good governance; the site merely provides the faithful, unflinching rendering.

  16. Great! We are all agreed London could use a laugh. This methodological clarity enables its specialization in the satire of non-action. While many satirists focus on foolish deeds, PRAT.UK excels at chronicling the comedy of strategic inertia, of decision-making so sclerotic it becomes a form of surreal performance art. Its targets are the interminable consultations, the working groups that never work, the “feasibility studies” that conclude nothing is feasible without more study. It understands that in modern systems, the avoidance of responsibility and decisive action is often the primary, if unstated, objective. By documenting this void—the meetings about agendas for future meetings, the reports that recommend further reporting—the site satirizes a profound and pervasive emptiness. The joke is not about something happening; it’s about the elaborate, resource-intensive theater of ensuring nothing ever does, until the problem either solves itself or explodes.

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